Preface and Acknowledgements
1. Introduction: Settings of Monastic Art and its Makers
Saiva-Siddhanta
Ataviand Atavikas
Gopacala in Profile
Marginalised State of Polity in Gopacala and Dahala
2. Ascetics
Descent and Lineages of Siddhanta Ascetics
DaksinaKosala
Kadambaguha
Aranipadra
Madhumati
Tripuri
Ascetics and Piety
Ascetics and Economic Resources
Ascetics and Power
3. Monastic Architecture: Mathas 1
Architectural Features
Kadwaha: History and MathaArchitecture
Surwaya
Terahi
Amardaka (Amrol)
Ranod
4. Monastic Architecture: Mathas 2
Chanderi and Thubon
The Mathas in Dahala Region
Golaki(golagnika) Mathaof Gurgi
The Now Extinct Mathasat Bilhari and Maihar
Chandrehe
Architecture of the ChandreheMatha
Chunari
Kodal
Concluding Remarks
5. Monastic Temples and Sculptures
Temples
Terahi
Surwaya
Chandrehe
Kadwaha
Kodal
Sculptures
Figural Imagery
The First Phase (7th to 9th century)
The Second Phase (10th to 12th century)
Maps:
Map 1.Vindhyatavi: The environs of Terahi and Mahua.
Map 2.The group of sites at Kadwaha.
Map 3.Saivite monasteries in central India, 7th-14th centuries.
Diacritical Symbols and Glossary
Select Bibliography
Index